Throughout past times, humans have connected color with their joys, experiences, hopes, sadness and pleasure. Many artists use color to express themselves more vehemently than the picture alone can do. They might express optimism by a light yellow against a dark contextual or lovers’ desire by the radiance of the sun. But whereas a visual artist requires studying the use of color and color theory as a means of expression, for the viewer, a formal comprehension of color does nothing to improve the gratitude of an artwork or affect their innate reaction to it.
Peter Max Elucidated on the theory of colors in the past
Many articles on color try to explicate the theory of color as if by comprehending color theory the viewer can better appreciate the art. But a person’s reaction to definite colors is an essential natural response. Of course, every individual is also influenced by color associations from our principles and, very significantly, our own individual preferences. So, comprehension of color theory will not affect one’sindividual response to a specific painting. And while the inspiration and ideas behind a particular painting are a very significant element in our gratefulness of a work of art, the definite colors and how they are used together are also a foremost part of our emotive response to what people perceive in facebook.
Occasionally the primary emotional response to the colors is so strong that it can make agents promptly like, or dislike, a work. This is habitually the case when the artist has used a color explicitly to express a strong emotion rather than the natural color of an object in the paintings or has used an unusual color for a used to object.
It is well recognized that color can be used by an artist like Peter Max to create a soothing effect, or to draw the spectator’s eye to a specific part of the composition. And everybody is acquainted with the concept of “cool” and “warm” colors. Warm colors such as orange and red appear closer to the viewer and cool colors such as green and blue appear to retreat.
Color can also be used to create the misapprehension of excitement and movement in a painting when the artist uses excesses of colour very close together. Our eyes can also see a visual tempo by the use of blinking categorizations of color. In visual art, color should create a well-adjusted visual experience. Without harmony or balance, the art is either too insipid and does not excite or engage the viewer or it is too demanding and loud, and the viewer simply turns away.
Below are some of the effects and emotions an artist like Peter Max is trying to characterize with several colors through Color Symbolism. But it is significant to recall that all colors can provoke negative and positive reactions among millions depending on their background. And the culture and experience of those viewing them can affect their insight of the artist’s message. Colors are capable of so many discrepancies that making out-and-out statements about meaning is impossible, which is why comprehension of the artist’s intentions and inspiration in a painting add to one’s enjoyment and appreciation of a work of art.